July is shaping up to be an exciting month for theatre-going, according to my calendar. I can’t wait to share a number of reviews with you for a host of different types of theatre experiences.
This weekend, I’m off to the RSC, Stratford, to catch a preview of Miss Littlewood; next week I will be sampling some new writing from a fledgling theatre company who are presenting Sardines at the Drayton Arms; this will be followed by an immersive production of The Great Gatsby at a ‘secret location’ in SE1; and then I will be jumping onto the Hamilton bandwagon to find out what all the hype is about.
I’m not particularly fussy when it comes to picking seats at the theatre. If there’s one left and it’s behind a pillar, I will own it just for the chance to attend a piece of theatre that I want to see. Having said that, cost does factor into the occasion. I do like to see fair prices for seating. Given the choice, if I am going to see a musical or ensemble piece, my preference would always be to sit on the first tier, variably referred to as the Dress, Royal or Grand Circle, depending on the theatre. As a trained dancer, I love to be able to look down and enjoy the shapes and patterns of the choreography. Use of space ranks highly in my own directing and choreographing so I like to enjoy it when I’m watching other shows too.
I have friends who like to sit in the stalls and, in particular, in the front row of the stalls where they feel part of the action. They love the close proximity to the actors, being able to see them sweat and to make eye contact with them and show them their responses. Indeed they’ve enjoyed the occasional tweet from a performer who has appreciated their camaraderie during a rousing Master of the House. These are friends who are willing to be targeted by comedians or picked to step up on stage and take part in the likes of One Man, Two Guvnors. In their recent trip to see War Horse, they felt like they could reach out to touch Joey and the story was being told just for them. A truly magical experience.
Another friend is a sound technician. He also loves the stalls but prefers to be further back, taking in the sight and appreciating the sound from where he knows it resonates best in particular theatres.
Do you have specific seats or areas of the theatre that you like to sit in? Would you still book if your seats were not available?
Some people turn to the knowledge hubs such as Seat Plan or Theatre Monkey for reviews before making their selection of the best seat available. I’d love to hear your own experiences and why you like to sit where you do. Perhaps you have a preference for certain types of theatre. Let’s get chatting in the comments below!